A Reading of Marcel Duchamp’s The Large Glass and Juan Luis Martínez’s La Nueva Novela as a Meta-poetic and Self-reflective Articulation
Article Sidebar
Main Article Content
Abstract
This article intends to analyze Juan Luis Martínez’s La nueva novela following a close articulation of this text with Marcel Duchamp’s work El gran vidrio under the notion of appearance/apparition, understood here as an element of textual transparency. From this perspective, a meta-poetic and self-reflexive reading is proposed in the context of a modern world in crisis.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles