The Production of a Disappearance. Truth, aura, and technique in Walter Benjamin
Article Sidebar
Main Article Content
Abstract
∙ The following text proposes to analyze the concepts of Walter Benjamin, aura and technique, in contrast to those by Martin Heidegger, in order to think the interweaving of an artwork with the problem of history and truth.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles