Editing and Mounting Temporality
Article Sidebar
Main Article Content
Abstract
The following essay analyzes the bonds between Art History and Modernization, from the displacement of the historiographic positivism of German historian Erwin Panofsky. The apparent contradiction between a visual aesthetic and any other technique was a backdrop for a dispute over the sense of time and its representation models. The historical discipline and the Modernization logic needed to validate their figurative conceptions and rules of production by appealing to the everlasting sense of the past or the constant innovation of the present. In this context, the iconological studies seem to resist to the degradation of art caused by a nowadays with no meaning that forgets about cultural heritage and how to overcome an historicism that is able to recognize art works as symbolic processes
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
All contents of this electronic edition are distributed under the Creative Commons license of "Attribución-shareAlike 4.0 Internacional" (CC-BY-SA). Any total or partial reproduction of the material must mention its origin.
The rights of academic works published in this publication belong to their authors., who grant to AISTHESIS: Revista Chilena de Investigaciones Estéticas the license for its use. The management of the permits and the authorization of the publication of the images (or of any material) that contains copyright and its consequent rights of reproduction in this publication is the sole responsibility of the authors of the articles