La cara oculta del cine
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Abstract
ln this essay, the author offers a hermeneutics ofcinema aimed at recovering in the film sequence subliminal elements that refer, through analogies, to a different narrative model or that is related to the apparent model of a film.
This hermeneutics does not conflict with the principies ofspecialised criticism when the analogical narrative model is thematically unrelated to the apparent model, but that necessarily enters the realm ofcriticism ifboth models are related
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